So before we get into this in earnest, we need to start with a certain Facebook meme I’ve seen spreading around – no, before you click away, there’s a point to this, I swear. Basically it was one of those twin pictures with bottom text that shows what you think you’re doing versus what you’re actually doing, one with a guy sensitively explaining at length something… and the other a picture from It’s Always Sunny In Philadelphia with Charlie losing his mind next to his conspiracy board from the episode ‘Sweet Dee Has A Heart Attack in Season 4. The tagline was guys talking about music, and the band referenced in a speech bubble for such a sensitive explanation… was King Gizzard & The Lizard Wizard.
Now one could argue it’s a meme that is targeted at how music nerds will try to explain at length music nobody knows to the indifference of male or female company alike – which yes, of course I’ve been there – but to offer a counterpoint, I’m not sure there’s an easy way to explain King Gizzard & The Lizard Wizard to anyone without sounding insane. They’re a seven piece Australian psychedelic rock act that has put out eleven full-length records since 2012 that have careened from garage punk to progressive rock and all manner of high concept wildness – the sort of band that almost demands the sort of nerd-heavy cult following and at some point will disappear directly up their own asses if they don’t burn out. And since over the past few days I’ve marathoned through their discography, what do I think? Well, as I’ve said in the past, I’m a sucker for great psychedelic rock and tacking on elements of blues, country and desert rock will only hook me more, and while I might hold a pretty big soft spot for the spaghetti western-inspired concept album Eyes Like The Sky, the essentials here are the heavier grooves I’m In Your Mind Fuzz, the remarkably charming folk weirdness of Paper Mache Dream Balloon, and of course the pretty damn terrific and ridiculously catchy psych-metal powerhouse of Nonagon Infinity, which probably would have had a shot to make my year-end list last year if I had taken the time to actually review it. But King Gizzard & The Lizard Wizard was aiming even higher for 2017, aiming to release five records this year – and look, I get nervous whenever an artist threatens to release two albums a year, and as much as I like this band, I was not remotely convinced they could churn out that much consistent quality that couldn’t be crafted into one stellar record. And here’s the weird thing: early this year in February they put out Flying Microtonal Banana and I actually really liked it – maybe a shade away from true greatness, but the usage of microtones gave the record really fascinating melodies and for a band that has such a strength for hooks as they do, it opened a wealth of potential going forward. But then Murder Of The Universe happened and was a lot less structured or interesting, and when I heard that they were collaborating with Mild High Club and it was trending towards 70s AM rock… look, that’s a genre I tend to appreciate more than I probably should but that’s not really what I want to hear from King Gizzard & The Lizard Wizard! But who knows, it could be another Paper Mache Dream Balloon, so what did this translate to on Sketches of Brunswick East?